琴棋书画 文人雅士
Zither Go Game Calligraphy Painting,Qin Qi Shu Hua
琴棋书画 文人雅士
Zither Go Game Calligraphy Painting,Qin Qi Shu Hua
A stringed musical instrument (zither) - Guzheng performance
Go game confrontation shaded by an old tree is the favored pastime for many civilized men in Ancient China.
Lantingji Xu, the best kown masterpiece from Wang Xizhi, written as the Preface to the Poems Composed at the Orchid Pavilion
Ancient Chinese literati used their painting express their feeling and deep touch. Here is the one from Badashanren (Zhu Da).
Painting on the brick wall of Taigangsi Temple: During the Wei and Jin Dynasties, some educated men live in seclusion among bamboo woods beyond the social hierarchy. The most known are Ruanji and Jikang.
The board game of Go game (Weiqi) was originated in Ancient China.
Four arts of the Chinese literati are refered as a stringed musical instrument, callighraphy, board game and painting.
In China to be a scholar is to be an artist. Chinese culture insists that an educated and "proper" individual's classical training has components of what in Chinese are called Qin Qi Shu Hua. These are translated roughly into Zither, Go Game, Calligraphy, Painting. For one to be considered scholarly, or a man of the arts, then those are in fact the arts in which to immerse ones self. The Chinese ideals of an educated man are a test and demonstration of the individual's strength in reason, creation, expression and dexterity, and thus rate highly in China both today and in ancient times.
Although the individual parts of the concept have very long histories indeed as activities befitting a learned person, the earliest written source putting the four together is Zhang Yanyuan's Fashu Yaolu from the Tang Dynasty, and as "the four arts" the concept is first found in the Xianqing ouqi by Li Yu (1610 - 1680).
Zither (Qin) refers to the musical instrument of the literati, the "Guqin". Although it exclusively meant this instrument in ancient times, it has now come to mean all musical instruments.
The Guqin is a seven-stringed zither that owes its invention to the Chinese society of some 3,000 years ago. During the reign of the imperial China, a scholar was expected to play the guqin. Guqin was explored as an art-form as well as a science, and scholars strove to both play it well and to create texts on its manipulation. Guqin notation was invented some 1,500 years ago, and to this day it has not been drastically changed. Some books contain musical pieces written and mastered more than 500 years ago.
Go Game (Qi) refers to a board game, which is now called "Weiqi", literally meaning "surrounding game." Many theories exist regarding the origin of "Weiqi" in Chinese history. One of these holds that Weiqi was an ancient fortune telling device used by Chinese cosmologists to simulate the universe's relationship to an individual. Another suggests that the legendary emperor Yao invented it to enlighten his son. Certainly Weiqi had begun to take hold around the 6th century BC when Confucius mentioned Weiqi in his masterpiece Analects, sometimes erroneously translated as "chess."
Weiqi is a game in which two players alternate placing black and white stones on a playing surface. Stones are placed on the intersections of the grid, rather than inside the squares as in chess. Stones surrounded on four sides by those of the opposing color are removed from play, and the overall arrangement of stones must never be repeated twice in one game. The game concludes when both players agree that there are no moves left to play, and so pass. The game is then scored by way of counting the empty playable points that each player has encircled, with captured pieces filling in territory of the same color.
Calligraphy (Shu) refers to Chinese calligraphy, which dates to the origins of recorded Chinese history, in essence ever since written characters have existed. Chinese calligraphy is said to be an expression of a practitioners poetic nature, as well as a significant test of manual dexterity.
Chinese calligraphy has evolved for thousands of years, and its state of flux stopped only when Chinese characters were unified across the empire. Chinese calligraphy differs from western calligraphic script in the sense that it was done with a brush instead of metal implements or a quill. Calligraphy was the art by which a scholar could compose his thoughts to be immortalized. It was the scholar's means of creating expressive poetry and sharing his or her own learnedness. Calligraphy was the means by which scholars could mark their thoughts and teachings for immortality, and as such, represent some of the more precious treasures that can be found from ancient China.
Painting (Hua) refers to Chinese painting. Brush painting is the final of the arts that a scholar is expected to learn, and is unarguably the greatest measure of individual creativity. Through painting a Chinese noble would demonstrate his mastery over the art of line.
Often Chinese paintings would be produced on a sheet of plain white rice-paper or silk using nothing but black ink and a single brush. These paintings were made to demonstrate the power of a single line, and in them was reflected a skill that valued intentional and calculated strokes over instinctual erratic creation. In a Chinese painting was reflected the artist's ability to evaluate his own imagination and record it clearly and concisely. Chinese painting can be traced back even farther than calligraphy. Painting was the art by which a scholar could separate him from the others and take a name.
All of these arts combined made for a platform by which scholars could compete against each others' creativity, expression, ideas, and thinking power. They created a means by which men would judge each other beyond the worth of their possessions. A Chinese pauper who excelled in the arts was as respected as the noble who equaled him. These four arts created a culture in which art flourished freely among the populace.
The writing brush, ink stick, paper and inkslab are the traditional implements and materials for writing and painting and have always been named collectively as the "four treasures of the study".
China is a country with a long long history. During its development, all kinds of arts were created by the diligent Chinese people. Although nowadays, there are other countries that try to imitate Chinese art, the roots are still in China, and the best Chinese art works in the world can only be found in China.
Papercut Technique and form of cutting and pricking pictures and designs in paper by hand. The tools employed in papercutting were simply a pair of sharp scissors, razor-edged, quill-shaped knives or penknives with a hone and oil for sharpening, and good-quality paper. For pin-pricking, steel needles of different sizes were fixed to short wooden handles or mounted on a roulette wheel. The paper was worked from the back as well as the front for various effects. Handcut and pricked papers were largely outmoded by machine production in the mid-19th century.
Chinese Opera Chinese Opera is a popular form of drama and musical theatre in China. There are numerous regional branches of opera with its original root starting in the dynastic periods. The Beijing opera is one of the most famous Chinese Opera. As early as the Three Kingdoms period, Canjun opera was one of the first form of opera available. Though in general, the more organized form of Chinese opera began in the Tang Dynasty with Emperor Xuanzong (712C755), who founded the "Pear Garden", the first known opera troupe in China. The troupe mostly performed for the emperors' personal pleasure. To this day operatic professionals are still referred to as "Disciples of the Pear Garden". In the Yuan Dynasty (1279C1368), forms like the Zaju, which acts based on rhyming schemes plus the innovation of having specialized roles like "Dan", "Sheng", "Hua" and "Chou" were introduced into the opera. Although actors in theatrical performances of the Song Dynasty (960C1279) strictly adhered to speaking in Classical Chinese onstage, it was during the Yuan Dynasty that actors speaking in the vernacular tongue gained precedent on stage.
The dominant form of the Ming and early Qing dynasties was Kunqu, which came from the Wu cultural area. It later evolved into a longer form of play called chuanqi, which became one of the 5 melody that made up Sichuan opera. Chinese operas continue to exist in 368 different forms now, the best known of which is Beijing opera, which assumed its present form in the mid-19th century and was extremely popular in the Qing Dynasty (1644C1911).
Chinese Painting is one of the oldest continuous artistic traditions in the world. Earliest paintings were ornamental, not representational; they consisted of pattern or designs, not pictures. Stone Age pottery was painted with spiral, zigzags, dots, or animals. It was only during the Warring States Period (403-221 B.C.) that artists began to represent the world around them.
Painting in the traditional style is today known in Chinese as
Chinese Variety Art It is the name giving to the collection of performances that include a wide range of acrobatic, balancing acts and other spectacles performed by a troupe fashioned in traditional Chinese-style attire. The art originated in China and is still performed today.
There are about 30 kinds of Chinese operas: 4 in the North, 13 in the South and another 13 that belongs to other areas here and there. The most famous operas in China are Beijing opera, Qinqiang opera, Kunqu opera, Pingju opera, etc.
Dragons are commonly symbols of good luck/health in some parts of Asia, and are also sometimes worshipped. Asian dragons are considered as mythical rulers of weather, specifically rain and water, and are usually depicted as the guardians of flaming pearls.
In China, as well as in Japan and Korea, the Azure Dragon is one of the Four Symbols of the Chinese constellation, representing spring (season), the element of Wood and the east. A Yellow dragon with five claws on each foot, on the other hand, symbolize imperial authority in China, and indirectly the Chinese people as well. Chinese people often use the term "Descendants of the Dragon" as a sign of ethnic identity.
Due to the long history, some Chinese arts were descended yet some didn't get the chance to live long. Ancient Chinese arts that are still popular today, we'd say, it's the papercut and Chinese opera.
Papercut is playing an important part in festivals, especially the Spring festival. People use papercuts as decorations in the room in order to add more festival atmosphere to the house. Papercut is also collected by many Chinese pepercut lovers who would spend a good among of money on those papercuts. The patterns that are usually used in papercut are now used in many place: patterns on appliance, patterns on buildings, etc.
During Spring festival, there is always an evening show that's only about Chinese opera, indicating the importance of Chinese opera today. There are schools that teach kid to learn how to perform Chinese opera, and some people live their live on performing Chinese operas.
Chinese art actually has been soaked into people's common lives. All kinds of forms of art can be seen along the streets, on the bus, in the subway, anytime, anywhere. But there are indeed some best places for you to appreciate the best Chinese art.
Chinese arts usually all have auspicious meanings. Take papercut for example, papercuts usually are vivid pictures of Chinese phrases with good and optimistic meaning. That's why people like to put up papercuts on the windows or walls to bring auspicious atmosphere to the house.
Chinese arts are usually about common people's life. A very precious piece of art might be just about an old man in the street where nobody known about him, or about a general life style that everyone shares.
As you have noticed, there is much make up on performers' faces when they are performing Chinese operas. Why? That's because the themes of the shows they play are usually about ancient Chinese stories. And different colors of make-up symbolize different historical characters. For example, Caocao, one of the central figures during the Three Kingdoms Period, was a cunning character, so the role of him needs white facial make-up to express the duplicity of him. Guanyu, was a general under the warlord Liu Bei during the late Eastern Han Dynasty and Three Kingdoms era of China. He was a nice person and made a lot of contribution to him country, therefore, the role of Guanyu needs the color red to show his courage, strength and loyalty.
All kinds of forms express Chinese arts well. Yet, there is a unique form of Chinese arts that no other country has, which is Chinese Calligraphy. For thousands of years of development, Chinese calligraphy has now many forms. Some look decent with delicate handwriting, while some look messy but express the open character of the writers. Brush pen, the unique tool for Chinese traditional writings, also has various kinds. Some are thin while some are thick, which show different styles of calligraphy.
If you go to a gallery, please do not take photos of the art works. Flash lights is very bad for the preservation of the works. Sometimes, drinks are not allowed inside a gallery, so please make sure you have enough liquid in you before entering the gallery.
If you go to see a show, please keep quiet during the show. Do not applaud until the end of performances. There are also some special requirements: for instance, if you want to see the Tang dynasty dance and music show, we suggest that you dress as you would for any formal occasion, like the Opera in Beijing, and the welcome and farewell dinners during the Yangtze Cruise. Jackets and ties for gentlemen and a formal dress or gown for ladies are recommended.
If you want to buy some souvenirs for you friends, please tell your guides, they will do their best to fulfill your requirements. Your guides will introduce you some large painting shops with the high quality. You can have a pleasant and rewarding shopping experience.
Also, there are usually souvenirs inside the gallery of theater where you can buy gifts for friends and family, but the price might be a little bit high.
In the ancient CHina, whether one was a successul literatist depended on if he could do the Four Arts of the Chinese Literati: Zither (Qin), Go Game (Qi), Calligraphy (Shu) and Painting (Hua).
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