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A Chinese seal is a seal or stamp containing Chinese characters typically used in East Asia to prove identity on documents, contracts, art, or similar items where authorship is considered important.
History
Origin
Chinese seal engraving can be traced back to more than 3,000 years ago to the Shang Dynasty when the inscriptions on tortoise shells and bronze were available for recording happenings and ideas of human being. The use of seals in China originated during the Spring and Autumn and Warring States Periods. There was a need for a formal system to record and preserve records of economic, military, and administrative functions. The early Chinese seals were in the form of engraved pictographic characters and simple decorative patterns. From archeological finds, bronze seals engraved with pictographic characters are known to have existed in the Shang Dynasty. Some of those crudely made seals, though not matured in a high art form, are indicative of the simplicity of beauty found in early civilization of China.
Development
The development of Chinese seals, either from function or artistic forms, went on from craftspeople and artisans to the emperors and all walks of life.
Types
Chinese seals can be divided into three kinds: Imperial seals, Official seals, and Private seals.
Until the end of Warring States period (BCE 403-221), there was only one way of calling seals, both official and private, regardless of their use and material. This name was xi, which in the following periods gradually became the designation for imperial seals. According to the History of Tang dynasty, Empress Wu (634-705) issued an order to change the word xi, which was up until then used for imperial seals, to bao (treasure). Apparently, she disliked the fact that the word xi was close in sound to the si (death). But when Emperor Zhongzong resumed the throne in 705, he changed the name for imperial seals back to xi. In subsequent centuries the two words were alternated, depending on the period.
At the time of the Han dynasty, the emperor had six seals, during the Tang he had eight, during the Ming over a dozen, and by the time of the Qing, there were several dozens of official imperial seals. The inscription on these official seals usually refers to receiving the Mandate of Heaven or being the successor of Heaven.
Another type of imperial seal was a seal that the emperor used to indicate that a certain document was written in his own handwriting. Emperor Qianlong (1736-1795) for example, was famous for his literary ambitions, including calligraphy, and had produced a large amount of texts affixed with his seal. When his calligraphy was carved into stone steles, the seal was copied onto the surface of the stone too.
Yet another seal was used by the emperors to appraise and appreciate art. It was customary for collectors and connoisseurs of art to affix their seals on the surface of a scroll of painting or calligraphy. The paintings acquired by the imperial household were affixed by the imperial seal. Many famous paintings from the Forbidden City have seals of generations of subsequent emperors on them.
Official seals have been conferred to officials as a token of their office and authority. These seals were usually small enough to be carried on the official's belt. There were regulations as to the material and shape of the handle of these seals: some had to be golden, some copper, some with a handle in the shape of a turtle, some of a camel. Up to the Eastern Han dynasty (25-330), the color of ink used to affix official seals was regulated depending on the position of the owner; some officials had to use green ink, some purple, some yellow etc.
The calligraphy of the inscription had changed a great deal over the long span of Chinese history. Approaching the Han dynasty, the characters on the seal inscriptions tend to become thicker and more angular. From the Sui dynasty (581-618), they become rounded and thinner, and during the Song and Yuan periods we can witness the spectacular jiudie (nine-folded) script. In the Qing period, most official seals are bilingual with the Chinese inscription on the right side and the Manchu on the left.
Private seals were not regulated by the governments and therefore they had the largest variety in content, shape, size, material and calligraphy styles. Despite of their varied characteristics, they can still be categorized based on their uses.
Seals with names, pen names, pseudonyms, and etc on them were used as a signature by people in their private life. This is how artists signed their works and letters. Chinese literati commonly used a number of different pen names. So identifying an artist's name from a seal can be a profound skill.
Collector's Seals were mainly used for the purpose of authenticating pieces of art. Thus a seal of a famous collector or connoisseur would become an integral part of a work of art and could substantially raise its value. Thus in the course of several centuries, some Chinese paintings became covered by a dozen of different seals.
The rest of private seals can be conveniently categorized as "Leisure Seals". The inscription on these seals is usually a short phrase quoted from a poem or saying that the seal owner thought was poetic or meaningful.
The 'Seal' of Beijing 2008 Olympic Games
Every emblem of the Olympics tells a story. The Beijing 2008 Olympic Games emblem "Chinese Seal, Dancing Beijing" is filled with Beijing's hospitality and hopes, and carries the city's commitment to the world.