中国画中的精神世界 '枯藤老树昏鸦 小桥流水人家 夕阳西下 断肠人在天涯'
Chinese Drawing
中国画中的精神世界 '枯藤老树昏鸦 小桥流水人家 夕阳西下 断肠人在天涯'
Chinese Drawing
Chinese painting holds unique norms in taste and aesthetics. Qi Baishi (1864 ~ 1957) started to paint at the age of 27 and made 'later-year innovations' that earnt him the title of 'Chinese Master Painter'.
Shrimps painted by the 83-year-old Qi Baishi show his painting techniques. The vibrant, free-form calligraphic brushwork achieves lively movement in the curves and turns of the shrimp.
Lady Guo Guo's Spring Outing by Zhang Xuan: Concubine Yang Yuhuan and her sister Lady Guo Guo and attendats. Zhang Xuan of Tang Dynasty was known for his figure drawing of plumpy ladies and babies.
Badashanren (Zhu Da) is a celebrated artist as well as one the 'Four Monks of the Qing' (the other three being Hong Ren, Kun Can and Shi Tao). Flowers and Birds painting is bound to convey the painter's inner world by other incarnations depicted in his art.
Spring Outing is the oldest a landscape painting.
The painting is painted by Zhan Ziqian of the Sui Dynasty.
Along the River During the Qingming Festival is painted in full color on a 24.8cm x 528.7cm silk scroll by Zhang Zeduan (1085 ~ 1145) of Northern Song Dynasty. The painting depicts a whopping 1659 men and 209 animals which overwhelms the number of characters in any classic novels such as Dream of The Red Mansion and Romance of the Three Kingdoms.
The Chinese painting of Night Revels at Han Xizai's - the bright hues and smooth curves presents a festive surroundings and nonetheless unveils the inner worlds of the characters.
Traditional Chinese painting is a combination in the same picture of the arts of poetry, calligraphy, painting, and seal engraving. They were indispensable elements, which supplement and enrich each other in contributing to the beauty of the whole picture. In the past, many great artists were also great poets and the calligraphers, for example, Su Dongpo (1037-1101). To the Chinese, "painting in poetry and poetry in painting" has been one of the criteria for excellent works of art. Inscriptions and seal impressions help to explain the painter's ideas and sentiments and also add decorative beauty to the painting.
Traditional Chinese painting dates back to the Neolithic Period about six thousand years ago. The colored pottery with painted animals, fish, deer, and frogs excavated in the 1920s indicate that during the Neolithic Period the Chinese had already started to use brushes to paint.
During Tang Dynasty (618-907AD), painting was elegant in style reflecting the general prosperity of the golden age of Chinese feudal society. The paintings of Song Dynasty (960-1279AD), however, favored abstract, implied meanings rather than direct expressions, painting skills matured considerably, and the realistic style was in full blossom. Yuan Dynasty (1271-1368AD) witnessed the flourish of the expressionist school and many painters indulged in painting solely for personal pleasure. The painters of Ming (1368-1644) and Qing (1644-1911) took painting as a vehicle to express their interests and feelings. They painted with a vigorous boldness, caring little for meticulous refinement. Gradually, Chinese painting became artistically "perfect" during the Qing Dynasty.
However, vigorous Chinese painting almost became stereotyped for a long period in the 19th century. At the beginning of the 20th century, some painters from Shanghai, Hangzhou, Nanjing, Guangzhou and Beijing started to challenge the old tradition of Chinese painting by introducing new art concepts from the West and establishing art school to train artists. The joint efforts were paid off. By combining new modes of expression with traditional Chinese painting techniques, they are opening up a vast, new world of artistic expression.
The powerful romantic charm of the traditional Chinese painting not only comes from internal artistic sprits of artists, but also from its tool and materials including the writing brush, ink stick, paper and ink slab, collectively named "four treasures of the study".
There are mainly two techniques in Chinese painting, which are
Meticulous - Gongbi often referred to as "court-style" painting.
Freehand - Shuimo loosely termed watercolour or brush painting. The Chinese character "mo" means ink and "shui" means water. This style is also referred to as "xie yi" or freehand style.
Artists from the Han (202 BC) to the Tang (618-906) dynasties mainly painted the human figure. Much of what we know of early Chinese figure painting comes from burial sites, where paintings were preserved on silk banners, lacquered objects, and tomb walls. Many early tomb paintings were meant to protect the dead or help their souls get to paradise. Others illustrated the teachings of the Chinese philosopher Confucius or showed scenes of daily life.
Many critics consider landscape to be the highest form of Chinese painting. The time from the Five Dynasties period to the Northern Song period (907-1127) is known as the "Great age of Chinese landscape". In the north, artists such as Jing Hao, Fan Kuan, and Guo Xi painted pictures of towering mountains, using strong black lines, ink wash, and sharp, dotted brushstrokes to suggest rough stone. In the south, Dong Yuan, Ju Ran, and other artists painted the rolling hills and rivers of their native countryside in peaceful scenes done with softer, rubbed brushwork. These two kinds of scenes and techniques became the classical styles of Chinese landscape painting.
The principal forms of traditional Chinese painting are the hanging scroll, album of paintings, fan surface and long horizontal scroll.
Hanging scrolls are both horizontal and vertical, usually mounted and hung on the wall.
In an album of paintings the artist paints on a certain size of xuan paper and then binds a number of paintings into an album, which is convenient for storage.
Folding fans and round fans made of bamboo strips with painted paper or silk pasted on the frame.
The long, horizontal scroll is also called a hand scroll and is usually less than 50 centimeters high but maybe up to 100 meters long.
Beginning with the New Culture Movement, Chinese artists started to adopt using Western techniques. It also was during this time that oil painting was introduced to China.
In the early years of the People's Republic of China, artists were encouraged to employ socialist realism. Some Soviet Union socialist realism was imported without modification, and painters were assigned subjects and expected to mass-produce paintings. This regimen was considerably relaxed in 1953, and after the Hundred Flowers Campaign of 1956-57, traditional Chinese painting experienced a significant revival. Along with these developments in professional art circles, there was a proliferation of peasant art depicting everyday life in the rural areas on wall murals and in open-air painting exhibitions.
During the Cultural Revolution, art schools were closed, and publication of art journals and major art exhibitions ceased with major destructions done as part of the elimination of Four Olds campaign.
The writing brush, ink stick, paper and inkslab are the traditional implements and materials for writing and painting and have always been named collectively as the "four treasures of the study".
China is a country with a long long history. During its development, all kinds of arts were created by the diligent Chinese people. Although nowadays, there are other countries that try to imitate Chinese art, the roots are still in China, and the best Chinese art works in the world can only be found in China.
Papercut Technique and form of cutting and pricking pictures and designs in paper by hand. The tools employed in papercutting were simply a pair of sharp scissors, razor-edged, quill-shaped knives or penknives with a hone and oil for sharpening, and good-quality paper. For pin-pricking, steel needles of different sizes were fixed to short wooden handles or mounted on a roulette wheel. The paper was worked from the back as well as the front for various effects. Handcut and pricked papers were largely outmoded by machine production in the mid-19th century.
Chinese Opera Chinese Opera is a popular form of drama and musical theatre in China. There are numerous regional branches of opera with its original root starting in the dynastic periods. The Beijing opera is one of the most famous Chinese Opera. As early as the Three Kingdoms period, Canjun opera was one of the first form of opera available. Though in general, the more organized form of Chinese opera began in the Tang Dynasty with Emperor Xuanzong (712C755), who founded the "Pear Garden", the first known opera troupe in China. The troupe mostly performed for the emperors' personal pleasure. To this day operatic professionals are still referred to as "Disciples of the Pear Garden". In the Yuan Dynasty (1279C1368), forms like the Zaju, which acts based on rhyming schemes plus the innovation of having specialized roles like "Dan", "Sheng", "Hua" and "Chou" were introduced into the opera. Although actors in theatrical performances of the Song Dynasty (960C1279) strictly adhered to speaking in Classical Chinese onstage, it was during the Yuan Dynasty that actors speaking in the vernacular tongue gained precedent on stage.
The dominant form of the Ming and early Qing dynasties was Kunqu, which came from the Wu cultural area. It later evolved into a longer form of play called chuanqi, which became one of the 5 melody that made up Sichuan opera. Chinese operas continue to exist in 368 different forms now, the best known of which is Beijing opera, which assumed its present form in the mid-19th century and was extremely popular in the Qing Dynasty (1644C1911).
Chinese Painting is one of the oldest continuous artistic traditions in the world. Earliest paintings were ornamental, not representational; they consisted of pattern or designs, not pictures. Stone Age pottery was painted with spiral, zigzags, dots, or animals. It was only during the Warring States Period (403-221 B.C.) that artists began to represent the world around them.
Painting in the traditional style is today known in Chinese as
Chinese Variety Art It is the name giving to the collection of performances that include a wide range of acrobatic, balancing acts and other spectacles performed by a troupe fashioned in traditional Chinese-style attire. The art originated in China and is still performed today.
There are about 30 kinds of Chinese operas: 4 in the North, 13 in the South and another 13 that belongs to other areas here and there. The most famous operas in China are Beijing opera, Qinqiang opera, Kunqu opera, Pingju opera, etc.
Dragons are commonly symbols of good luck/health in some parts of Asia, and are also sometimes worshipped. Asian dragons are considered as mythical rulers of weather, specifically rain and water, and are usually depicted as the guardians of flaming pearls.
In China, as well as in Japan and Korea, the Azure Dragon is one of the Four Symbols of the Chinese constellation, representing spring (season), the element of Wood and the east. A Yellow dragon with five claws on each foot, on the other hand, symbolize imperial authority in China, and indirectly the Chinese people as well. Chinese people often use the term "Descendants of the Dragon" as a sign of ethnic identity.
Due to the long history, some Chinese arts were descended yet some didn't get the chance to live long. Ancient Chinese arts that are still popular today, we'd say, it's the papercut and Chinese opera.
Papercut is playing an important part in festivals, especially the Spring festival. People use papercuts as decorations in the room in order to add more festival atmosphere to the house. Papercut is also collected by many Chinese pepercut lovers who would spend a good among of money on those papercuts. The patterns that are usually used in papercut are now used in many place: patterns on appliance, patterns on buildings, etc.
During Spring festival, there is always an evening show that's only about Chinese opera, indicating the importance of Chinese opera today. There are schools that teach kid to learn how to perform Chinese opera, and some people live their live on performing Chinese operas.
Chinese art actually has been soaked into people's common lives. All kinds of forms of art can be seen along the streets, on the bus, in the subway, anytime, anywhere. But there are indeed some best places for you to appreciate the best Chinese art.
Chinese arts usually all have auspicious meanings. Take papercut for example, papercuts usually are vivid pictures of Chinese phrases with good and optimistic meaning. That's why people like to put up papercuts on the windows or walls to bring auspicious atmosphere to the house.
Chinese arts are usually about common people's life. A very precious piece of art might be just about an old man in the street where nobody known about him, or about a general life style that everyone shares.
As you have noticed, there is much make up on performers' faces when they are performing Chinese operas. Why? That's because the themes of the shows they play are usually about ancient Chinese stories. And different colors of make-up symbolize different historical characters. For example, Caocao, one of the central figures during the Three Kingdoms Period, was a cunning character, so the role of him needs white facial make-up to express the duplicity of him. Guanyu, was a general under the warlord Liu Bei during the late Eastern Han Dynasty and Three Kingdoms era of China. He was a nice person and made a lot of contribution to him country, therefore, the role of Guanyu needs the color red to show his courage, strength and loyalty.
All kinds of forms express Chinese arts well. Yet, there is a unique form of Chinese arts that no other country has, which is Chinese Calligraphy. For thousands of years of development, Chinese calligraphy has now many forms. Some look decent with delicate handwriting, while some look messy but express the open character of the writers. Brush pen, the unique tool for Chinese traditional writings, also has various kinds. Some are thin while some are thick, which show different styles of calligraphy.
If you go to a gallery, please do not take photos of the art works. Flash lights is very bad for the preservation of the works. Sometimes, drinks are not allowed inside a gallery, so please make sure you have enough liquid in you before entering the gallery.
If you go to see a show, please keep quiet during the show. Do not applaud until the end of performances. There are also some special requirements: for instance, if you want to see the Tang dynasty dance and music show, we suggest that you dress as you would for any formal occasion, like the Opera in Beijing, and the welcome and farewell dinners during the Yangtze Cruise. Jackets and ties for gentlemen and a formal dress or gown for ladies are recommended.
If you want to buy some souvenirs for you friends, please tell your guides, they will do their best to fulfill your requirements. Your guides will introduce you some large painting shops with the high quality. You can have a pleasant and rewarding shopping experience.
Also, there are usually souvenirs inside the gallery of theater where you can buy gifts for friends and family, but the price might be a little bit high.
Though Chinese painting has much in common with western painting from an aesthetic point of view, it still possesses its unique character. Traditional Chinese painting seldom follows the convention of central focus perspective or realistic portrayal, but gives the painter freedom on artistic conception, structural composition and method of expression.
»»For exploration of Chinese Painting, check out 1 tour ...
| U.S.A. Contacts | +1 (310) 997-0051 / +1 (310) 878-2934 | info(a)yeschinatour.com | ||
|---|---|---|---|---|
| Canada Contacts | +1 (604) 998-6945 | MSN | help@yeschinatour.com live helpline | |
| Mainland China | +86 (10) 8409-8570 / +86 (10) 8409-8571 | PayPal Account | pay@yeschinatour.com other methods .. | |
| Mailing Address - China | 2204 Block D, Huapu Garden, No.9 South Dong Zhi Men Avenue, Dongcheng District, Beijing, China, 100007 | |||
Use of this Web site constitutes acceptance of the Yes!ChinaTour's User Agreement and Privacy Policy.
© Copyright 2008. All Rights Reserved to Yes!ChinaTour. | About Yes!ChinaTour | Contact Us | Job Offer | Links | Testimonials | Sitemap
| phone | U.S.A. | +1 (310) 997-0051 / +1 (310) 878-2934 |
|---|---|---|
| Canada | +1 (604) 998-6945 | |
| China | +86 (10) 8409-8570 / +86 (10) 8409-8571 | |
| info@yeschinatour.commsn: help@yeschinatour.com | ||

