Beijing Opera

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Beijing Opera is a synthesis of stylized action, singing, dialogue and mime, acrobatic fighting and dancing to represent a story or depict different characters and their feelings of gladness, anger, sorrow, happiness, surprise, fear and sadness.

Origin

It is regarded that Beijing opera was born when the Four Great Anhui Troupes came to Beijing in 1790. Beijing opera was originally staged for the court and came into the public later. In 1828, some famous Hubei troupes came to Beijing. They often jointly performed in the stage with Anhui troupes. The combination gradually formed Beijing opera's main melodies. Beijing opera is generally regarded as having fully formed by 1845. Although it is called Beijing opera (Beijing theatre style), its origins are in the southern Anhui and eastern Hubei, which share the same dialect of Xiajiang Mandarin (Lower Yangtze Mandarin).

Beijing opera's two main melodies; Xipi and Erhuang originated from Shaanxi but developed in Anhui and Hubei. Xipi literally means 'Western Skin Puppet Show', referring to the puppet show that is originated from Shaanxi province. Puppet Shows in China always involve singing. Much dialogue is also carried out in an archaic form of Standard Mandarin, in which Zhongyuan Guanhua (Zhongyuan Mandarin) dialects in Henan and Shaanxi are closest. This form of standard Mandarin is recorded in the book Zhongyuan Yinyun. It also absorbed music and arias from other operas and local Zhili musical art forms. Some scholars believe that the Xipi musical form was derived from the historic Qinqiang, while many conventions of staging, performance elements, and aesthetic principles were retained from Kunqu, the form that preceded it as court art.

Modern Beijing Opera

During the second half of the 20th century, Beijing opera witnessed a steady decline in audience numbers. This has been attributed both to a decrease in performance quality and an inability of the traditional opera form to capture modern life. Furthermore, the archaic language of Beijing opera required productions to utilize electronic subtitles, which hampered the development of the form. The influence of Western culture has also left the younger generations impatient with the slow pacing of Beijing opera. In response, Beijing opera began to see reform starting in the 1980s. Such reforms have taken the form of creating a school of performance theory to increase performance quality, utilizing modern elements to attract new audiences, and performing new plays outside of the traditional canon. However, these reforms have been hampered by both a lack of funding and a sensitive political climate that makes the performance of new plays difficult.

In addition to more formal reform measures, Beijing opera troupes during the 1980s also adopted more unofficial changes. Some of those seen in traditional works have been called "technique for technique's sake". This has included the use of extended high pitch sequences by female Dan, and the addition of lengthier movement sections and percussion sequences to traditional works. Such changes have generally met with disdain from Beijing opera performers, who see them as ploys to gain immediate audience appeal. Plays with repetitive sequences have also been shortened to hold audience interest. New works have naturally experienced a greater freedom to experiment. Regional, popular, and foreign techniques have been adopted, including Western style makeup and beards and new face paint designs for Jing characters. The spirit of reform continued during the 1990s. To survive in an increasingly open market, troupes like the Shanghai Beijing opera Company needed to bring traditional Beijing opera to new audiences. To do this, they have offered an increasing number of free performances in public places.

There has also been a general feeling of a shift in the creative attribution of Beijing opera works. The performer has traditionally played a large role in the scripting and staging of Beijing opera works. However, perhaps following the lead of the West, Beijing opera in recent decades has shifted to a more director and playwright centered model. Performers have striven to introduce innovation in their work while heeding the call for reform from this new upper level of Beijing opera producers.

Channel CCTV-11 in mainland China is currently dedicated to broadcasting classic Chinese opera productions, including Beijing opera.

Performing Ways

Beijing Opera presents dramatic plays and figures mainly by infusing four artistic methods: singing, dialogue, dancing and martial art. Singing is utilized to intensify the appeal of the art by all kinds of tones. Dialogue is the complement of singing which is full of musical and rhythm sensation. Dancing refers to the body movements requiring high performing skills. Martial art is the combination and transformation of traditional Chinese combat exercises with dances.

Main Roles

Sheng: The Sheng is the main male role in Beijing opera, and divided into Lao Sheng and Xiao Sheng. Lao Sheng refers to the middle-aged man with a beard who acts as the decency figure; for example, Zhugeliang in 'Empty City Scheme'. Xiao Sheng means young man without a beard. Zhangsheng in 'The Story of the West Room' is a representative of Xiao Sheng.

Dan: The Dan refers to any female role in Beijing Opera and is divided into Zhengdan, Huadan, Laodan, Wudan. Zhengdan is also called 'Qingyi', who mainly plays the part of the strong-minded middle-aged woman who behaves elegantly. Huadan refers to little girls who often live in the bottom of society. Laodan refers to the senior woman and Wudan indicates the female who is good at fighting.

Jing: The Jing is a painted face male role with unique appearance or personality, such as Baozheng and Caocao. Besides, Chou is a comic role or villainous character or righteous person. The actor's nose is painted by a piece of white powder, making him or her easily recognizable.

Chou: The Chou is a male clown role. The Chou usually plays secondary roles in a troupe. Indeed, most studies of Beijing opera classify the Chou as a minor role. The name of the role is a homophone of the Mandarin Chinese word chou, meaning "ugly". This reflects the traditional belief that the clown's combination of ugliness and laughter could drive away evil spirits. Chou roles can be divided into Wen Chou, civilian roles such as merchants and jailers, and Wu Chou, minor military roles. The Wu Chou is one of the most demanding in Beijing opera, because of its combination of comic acting, acrobatics, and a strong voice. Chou characters are generally amusing and likable, if a bit foolish. Their costumes range from simple for characters of lower status to elaborate, perhaps overly so, for high status characters. Chou characters wear special face paint, called xiaohualian, that differs from that of Jing characters. The defining characteristic of this type of face paint is a small patch of white chalk around the nose. This can represent either a mean and secretive nature or a quick wit.

Opera Film

Beijing opera and its stylistic devices have appeared in many Chinese films. It often was used to signify a unique "Chineseness" in contrast to sense of culture being presented in Japanese films.

• Fei Mu, a director of the pre-Communist era, utilized Beijing opera in a number of plays, sometimes within "Westernized", realistic plots.

• King Hu, a later Chinese film director, utilized many of the formal norms of Beijing opera in his films, such as the parallelism between music, voice, and gesture.

• In the 1993 film Farewell My Concubine, by Chen Kaige, Beijing opera serves as the object of pursuit for the protagonists and a backdrop for their romance. However, the film's portrayal of Beijing opera has been criticized as one-dimensional. Beijing opera is also featured in Peking Opera Blues by Tsui Hark.

Opera Around the World

In addition to its presence in mainland China, Beijing opera has spread to many other places. It can be found in Hong Kong, Taiwan, and overseas Chinese communities elsewhere.

Mei Lanfang, one of the most famous Dan performers of all time, was also one of the greatest popularizers of Beijing opera abroad. During the 1920s, he performed Beijing opera in Japan. This inspired an American tour in February 1930. Although some, such as the actor Otis Skinner, believed that Beijing opera could never be a success in the United States, the favorable reception of Lanfang and his troupe in New York City disproved this notion. The performances had to be relocated from the 49th Street Theater to the larger National Theater, and the duration of the tour extended from two weeks to five. Lanfang traveled across the United States, receiving honorary degrees from the University of California and Pomona College. He followed this tour with a tour in the Soviet Union in 1935.

Where to See It

Fundamental to the performance and overall ambience of traditional Beijing opera is the venue. There are many restored venues in Beijing dating from the late 17th century onwards, the opera stage at Prince Gong's Mansion and Zhengyici-xi-lou (Zheng Yici Peking Opera Theatre), being among them. However, modern venues for the general operatic and theatre stage are also common.

Beijing Opera Highlights

Beijing Opera Highlights Related

Facial Makeup

White, black, red and pink, these are some main colors that are usually painted on performers' faces. Different colors symbolize different personalities. Facial makeup is not only a way to show the personalities of the characters, but also is a special kind of art work.

Henan Opera attraction highlights

"Henan Bangzi? What are you talking about?" Henan Bangzi is acutally a commonly used name for Henan Opera.The name of Henan Opera began to be used after the founding of the People's Republic of China in 1949.

• Zhengzhou

Kunqu Opera

Back to Yuan Dynasty, Kunqu Opera start to appear in the society, with its rhythmic patterns and has exerted a dominant influece on all the more recent forms of opera in China, including the Sichuan and Beijing operas.

Qinqiang Opera attraction highlights

Always shouted out, Qinqiang Opera is the oldest Chinese opera that are still in existence today, and it mainly thrives in North China's Shaanxi Province, as well as its neighboring northwestern regions, like Gansu and Qinghai provinces and the Ningxia Hui and Xinjiang Uygur autonomous regions.

• Xi'an

Sichuan Opera attraction highlights

Originated from Ming Dynasty, Sichuan Opera is now playing an important part in Chinese culture. Fast changing face astonish audience from all over the world.

• Chengdu
• Chongqing

Beijing Opera FAQ & Travelers's Tips

1. What are some original forms of art that are unique to China?
2. China has its own operas? What are they?
3. Why are there so many Dragons on Chinese arts?
4. What's the popular arts among Chinese people?
5. Where are the best places to go to experience authentic Chinese art?
6. What's Chinese art usually about?
7. Why so much make-up on Chinese performers' faces?
8. What is the best form that can express Chinese arts?
9. What should I notice when I go to appreciate Chinese arts?
10. Where can I buy souvenirs about Chinese arts?

1. What are some original forms of art that are unique to China?

   China is a country with a long long history. During its development, all kinds of arts were created by the diligent Chinese people. Although nowadays, there are other countries that try to imitate Chinese art, the roots are still in China, and the best Chinese art works in the world can only be found in China.

   • Papercut Technique and form of cutting and pricking pictures and designs in paper by hand. The tools employed in papercutting were simply a pair of sharp scissors, razor-edged, quill-shaped knives or penknives with a hone and oil for sharpening, and good-quality paper. For pin-pricking, steel needles of different sizes were fixed to short wooden handles or mounted on a roulette wheel. The paper was worked from the back as well as the front for various effects. Handcut and pricked papers were largely outmoded by machine production in the mid-19th century.

   • Chinese Opera Chinese Opera is a popular form of drama and musical theatre in China. There are numerous regional branches of opera with its original root starting in the dynastic periods. The Beijing opera is one of the most famous Chinese Opera. As early as the Three Kingdoms period, Canjun opera was one of the first form of opera available. Though in general, the more organized form of Chinese opera began in the Tang Dynasty with Emperor Xuanzong (712C755), who founded the "Pear Garden", the first known opera troupe in China. The troupe mostly performed for the emperors' personal pleasure. To this day operatic professionals are still referred to as "Disciples of the Pear Garden". In the Yuan Dynasty (1279C1368), forms like the Zaju, which acts based on rhyming schemes plus the innovation of having specialized roles like "Dan", "Sheng", "Hua" and "Chou" were introduced into the opera. Although actors in theatrical performances of the Song Dynasty (960C1279) strictly adhered to speaking in Classical Chinese onstage, it was during the Yuan Dynasty that actors speaking in the vernacular tongue gained precedent on stage.

     The dominant form of the Ming and early Qing dynasties was Kunqu, which came from the Wu cultural area. It later evolved into a longer form of play called chuanqi, which became one of the 5 melody that made up Sichuan opera. Chinese operas continue to exist in 368 different forms now, the best known of which is Beijing opera, which assumed its present form in the mid-19th century and was extremely popular in the Qing Dynasty (1644C1911).

   • Chinese Painting is one of the oldest continuous artistic traditions in the world. Earliest paintings were ornamental, not representational; they consisted of pattern or designs, not pictures. Stone Age pottery was painted with spiral, zigzags, dots, or animals. It was only during the Warring States Period (403-221 B.C.) that artists began to represent the world around them.

     Painting in the traditional style is today known in Chinese as guo hua meaning 'national' or 'native painting', in opposition to Western styles of art which became popular in China in the 20th century. Traditional painting involves essentially the same techniques as calligraphy and is done with a brush dipped in black or colored ink; oils are not used. As with calligraphy, the most popular materials on which paintings are made of paper and silk. The finished work is then mounted on scrolls, which can be hung or rolled up. Traditional painting also is done in albums and on walls, lacquerwork, and other media.

     Chinese Variety Art It is the name giving to the collection of performances that include a wide range of acrobatic, balancing acts and other spectacles performed by a troupe fashioned in traditional Chinese-style attire. The art originated in China and is still performed today.




2. China has its own operas? What are they?

   There are about 30 kinds of Chinese operas: 4 in the North, 13 in the South and another 13 that belongs to other areas here and there. The most famous operas in China are Beijing opera, Qinqiang opera, Kunqu opera, Pingju opera, etc.




3. Why are there so many Dragons on Chinese arts?

   Dragons are commonly symbols of good luck/health in some parts of Asia, and are also sometimes worshipped. Asian dragons are considered as mythical rulers of weather, specifically rain and water, and are usually depicted as the guardians of flaming pearls.

   In China, as well as in Japan and Korea, the Azure Dragon is one of the Four Symbols of the Chinese constellation, representing spring (season), the element of Wood and the east. A Yellow dragon with five claws on each foot, on the other hand, symbolize imperial authority in China, and indirectly the Chinese people as well. Chinese people often use the term "Descendants of the Dragon" as a sign of ethnic identity.




4. What's the popular arts among Chinese people?

   Due to the long history, some Chinese arts were descended yet some didn't get the chance to live long. Ancient Chinese arts that are still popular today, we'd say, it's the papercut and Chinese opera.

   Papercut is playing an important part in festivals, especially the Spring festival. People use papercuts as decorations in the room in order to add more festival atmosphere to the house. Papercut is also collected by many Chinese pepercut lovers who would spend a good among of money on those papercuts. The patterns that are usually used in papercut are now used in many place: patterns on appliance, patterns on buildings, etc.

   During Spring festival, there is always an evening show that's only about Chinese opera, indicating the importance of Chinese opera today. There are schools that teach kid to learn how to perform Chinese opera, and some people live their live on performing Chinese operas.




5. Where are the best places to go to experience authentic Chinese art?

   Chinese art actually has been soaked into people's common lives. All kinds of forms of art can be seen along the streets, on the bus, in the subway, anytime, anywhere. But there are indeed some best places for you to appreciate the best Chinese art.

   • The Gallery of China The Gallery of China started in the 1970's it wasn't until 1996 that the gallery proper was formed. It's located in the city center area. It has many functions such as exhibition, collection, research, public education and international communication. From time to time, interesting art exhibition takes place in the Gallery of China. Just a few months ago, the Dunhuang art show was held inside the gallery. Thousands of visitors came to see the exhibition. All kinds of Dunhuang wall paintings brought visitors to the real Dunhuang
   
   
   • National Theater for the Performing Arts The National Centre for the Performing Arts is a dynamic new icon to the arts in the heart of old Beijing. The Centre's ultra-modern architecture is in sharp contrast to its neighbours, the Great Hall of the People, Tian'anmen Square and the ancient Forbidden City.The National Centre for the Performing Arts is far more than a spectacular and futuristic building.




6. What's Chinese art usually about?

   Chinese arts usually all have auspicious meanings. Take papercut for example, papercuts usually are vivid pictures of Chinese phrases with good and optimistic meaning. That's why people like to put up papercuts on the windows or walls to bring auspicious atmosphere to the house.

   Chinese arts are usually about common people's life. A very precious piece of art might be just about an old man in the street where nobody known about him, or about a general life style that everyone shares.




7. Why so much make-up on Chinese performers' faces?

   As you have noticed, there is much make up on performers' faces when they are performing Chinese operas. Why? That's because the themes of the shows they play are usually about ancient Chinese stories. And different colors of make-up symbolize different historical characters. For example, Caocao, one of the central figures during the Three Kingdoms Period, was a cunning character, so the role of him needs white facial make-up to express the duplicity of him. Guanyu, was a general under the warlord Liu Bei during the late Eastern Han Dynasty and Three Kingdoms era of China. He was a nice person and made a lot of contribution to him country, therefore, the role of Guanyu needs the color red to show his courage, strength and loyalty.




8. What is the best form that can express Chinese arts?

   All kinds of forms express Chinese arts well. Yet, there is a unique form of Chinese arts that no other country has, which is Chinese Calligraphy. For thousands of years of development, Chinese calligraphy has now many forms. Some look decent with delicate handwriting, while some look messy but express the open character of the writers. Brush pen, the unique tool for Chinese traditional writings, also has various kinds. Some are thin while some are thick, which show different styles of calligraphy.




9. What should I notice when I go to appreciate Chinese arts?

   If you go to a gallery, please do not take photos of the art works. Flash lights is very bad for the preservation of the works. Sometimes, drinks are not allowed inside a gallery, so please make sure you have enough liquid in you before entering the gallery.

   If you go to see a show, please keep quiet during the show. Do not applaud until the end of performances. There are also some special requirements: for instance, if you want to see the Tang dynasty dance and music show, we suggest that you dress as you would for any formal occasion, like the Opera in Beijing, and the welcome and farewell dinners during the Yangtze Cruise. Jackets and ties for gentlemen and a formal dress or gown for ladies are recommended.




10. Where can I buy souvenirs about Chinese arts?

    If you want to buy some souvenirs for you friends, please tell your guides, they will do their best to fulfill your requirements. Your guides will introduce you some large painting shops with the high quality. You can have a pleasant and rewarding shopping experience.

    Also, there are usually souvenirs inside the gallery of theater where you can buy gifts for friends and family, but the price might be a little bit high.