798艺术园区
Dashanzi Art District,798 Art Space,798 Art Community
798艺术园区
Dashanzi Art District,798 Art Space,798 Art Community
A former defense industry cluster with mottled red-brick walls and old-age slogans still on it, the place was transformed into an exhibition space, gallery and workshop for young Chinese artists and entrepreneurs propelled by industrialization and the opening of China. Now the blend of more than 400 contemporary art galleries, open design studios, fashion shops and chic cafes has also turned this 230,000 square meters place into unique scenery for tourists. For Beijingers and foreign expatriates, this district has long become the third most visited site in Beijing, next only to The Forbidden City and The Great Wall of China. Some say that 798 Art Zone is to Beijing what Soho is to Manhattan.
798 Art Zone or Dashanzi Art District, is a part of Dashanzi in the Chaoyang District of Beijing that houses a thriving artist community, among 50-year old decommissioned military factory buildings of unique architectural style.
It is often compared with New York's Greenwich Village or SoHo, but faces impending destruction from the forces driving Beijing's urban sprawl. The area is often called the 798 Art District or Factory 798 although technically, Factory #798 is only one of several structures within a complex formerly known as Joint Factory 718. The buildings are located inside alleys number 2 and 4 on Jiuxianqiao road, south of the Dashanzi flyover.
The Dashanzi factory complex began as an extension of the "Socialist Unification Plan" of military-industrial cooperation between the Soviet Union and the newly-formed People's Republic of China. By 1951, 156 "joint factory" projects had been realized under that agreement, part of the Chinese government's first Five-Year Plan. However the People's Liberation Army still had a dire need of modern electronic components, which were produced in only two of the joint factories. The Russians were unwilling to undertake an additional project at the time, and suggested that the Chinese turn to East Germany from which much of the Soviet Union's electronics equipment was imported. So at the request of then-Premier Zhou Enlai, scientists and engineers joined the first Chinese trade delegation to East Germany in 1951, visiting a dozen factories. The project was greenlighted in early 1952 and a Chinese preparatory group was sent to East Berlin to prepare design plans. This project, which was to be the largest by East Germany in China, was then informally known as Project #157.
The architectural plans were left to the Germans, who chose a functional Bauhaus-influenced design over the more ornamental Soviet style, triggering the first of many disputes between the German and Russian consultants on the project. The plans, where form follows function, called for large indoor spaces designed to let the maximum amount of natural light into the workplace. Arch-supported sections of the ceiling would curve upwards then fall diagonally along the high slanted banks or windows; this pattern would be repeated several times in the larger rooms, giving the roof its characteristic sawtooth-like appearance. Despite Beijing's northern location, the windows were all to face north because the light from that direction would cast fewer shadows.
The chosen location was a 640,000 square metres area in Dashanzi, then a low-lying patch of farmland northeast of Beijing. The complex was to occupy 500,000 square metres, 370,000 of which were allocated to living quarters. It was officially named Joint Factory 718, following the Chinese government's method of naming military factories starting with the number 7. Fully funded by the Chinese side, the initial budget was enormous for the times: 9 million rubles or approximately 140 million RMB (US$17 million) at today's rates; actual costs were 147 million RMB.
Ground was broken in April 1954. Construction was marked by disagreements between the Chinese, Soviet and German experts, which led at one point to a six-month postponement of the project. The Germans' harshest critic was the Russian technology consultant in charge of Beijing's two Soviet-built electronics factories (714 and 738), who was also head consultant of the Radio Industrial Office of the Second Ministry of Machine Building Industry. The disputes generally revolved around the Germans' high but expensive quality standards for buildings and machines, which were called "over-engineering" by the Russians. Among such points of contention was the Germans' insistence, historical seismic data in hand, that the buildings be built to whistand earthquakes of magnitude 8 on the Richter scale, whereas the Chinese and Russians wanted to settle for 7. Communications expert Wang Zheng, head of Communications Industry in the Chinese Ministry of National Defense and supporter the East German bid from the start, ruled in favor of the Germans for this particular factory.
At the height of the construction effort, more than 100 East German foreign experts worked on the project. The resources of as many as 22 of their factories supplied the construction; at the same time, supply delays were caused by the Soviet Red Army's tremendous drain on East Germany's industrial production. The equipment was transported directly through the Soviet Union via the Trans-Siberian railway, and a 15 km track of railroad between Beijing Railway Station and Dongjiao Station was built especially to service the factory. Caltech-educated scientist Dr. Luo Peilin (), formerly head of the preparatory group in 1951-1953, was Head Engineer of Joint Factory 718 during its construction phase. Dr. Luo, now retired in Beijing, is remembered by his former colleagues as a dedicated perfectionist whose commitment to the obstacle-strewn project was a major factor of its eventual success.
Joint Factory 718 began production in 1957, amid a grandiose opening ceremony and display of Communist brotherhood between China and East Germany, attended by high officials of both countries. The first director was Li Rui, who had been involved in the early negotiations in Berlin.
The factory quickly established a reputation for itself as one of the best in China. Through its several danwei or "work units", it offered considerable social benefits to its 10,000-20,000 workers, especially considering the relative poverty of the country during such periods as the Great Leap Forward. The factory boasted, among others:
The factory even had its own volunteer military reserves or jinweishi (), which numbered hundreds and were equipped with large-scale weapons and anti-aircraft guns.
Workers' skills were honed by frequent personnel exchanges, internships and training in cooperation with East Germany. Different incentives kept motivation high, such as rewards systems and "model worker" distinctions. At the same time, political activities such as Maoism study workshops kept the workers in line with Communist Party of China doctrine. During the Cultural revolution, propaganda slogans for Mao Zedong Thought were painted on the ceiling arches in bright red characters (where they remain today at the latter tenants' request).
Frequent VIP visits contributed to the festive atmosphere. Notable guests included Deng Xiaoping, Jiang Zemin, Liu Shaoqi, Zhu De, and Kim Il-Sung.
The Joint Factory produced a wide variety of military and civilian equipment. Civilian production included acoustic equipment for Beijing's Workers' Stadium and Great Hall of the People, as well as all the loudspeakers on Tiananmen Square and Chang'an Avenue. Military components were also exported to China's Communist allies, and helped establish North Korea's wireless electronics industry.
After 10 years of operation, Joint Factory 718 was split into more manageable components, such as sub-Factories 706, 707, 751, 761, 797 and 798. The first Head of sub-Factory 798 (the largest) was Branch Party Secretary Fu Ke, who played a major role in recruiting skilled workers from southern China and among returned overseas Chinese.
However, the factory came under pressure during Deng Xiaoping's reforms of the 1980s. Deprived of governmental support like many state-owned enterprises, it underwent a gradual decline and was eventually rendered obsolete. By the late 1980s and early 1990s, most sub-factories had ceased production, 60% of the workers had been laid off, and the remains of the management were reconstituted as a real-estate operation called "Seven-Star Huadian Science and Technology Group", charged with overseeing the industrial park and finding tenants for the abandoned buildings.
The Dashanzi factory complex was vacated at around the time when most of Beijing's contemporary artist community was looking for a new home. Avant-garde art being frowned upon by the government, the community had traditionally existed on the fringes of the city. From 1984 to 1993, they worked in run-down houses near the Old Summer Palace (Yuanmingyuan) in northwestern Beijing, until their eviction. They had then moved to the eastern Tongxian County (now Tongzhou District), more than an hour's drive from the city center.
Then in 1995, Beijing's Central Academy of Fine Arts ( CAFA ), looking for cheap, ample workshop space away from downtown, set up in the now defunct Factory 706. The temporary move became permanent and in 2000 Sui Jianguo , Dean of the Department of Sculpture, located his own studio in the area. The cluttered sculpture workshops have always remained open for visitors to peek at the dozens of workers milling about.
In 2001, Texan Robert Bernell moved his Timezone 8 Art Books bookshop and publishing office (founded in 1997) into a former factory canteen; he was the first foreigner to move in. One of Timezone 8's early employees was fashion designer Xiao Li, who along her husband, performance artist Cang Xin, helped artists secure and rent spaces in the area.
Through word-of-mouth, artists and designers started trickling in, attracted to the vast cathedral-like spaces. Despite the lack of any conscious aesthetic in the Bauhaus-inspired style, which grounded architectural beauty in practical, industrial function, the swooping arcs and soaring chimneys had an uplifting effect on modern eyes, a sort of post-industrial chic. At the artists' requests, workers renovating the spaces preserved the prominent Maoist slogans on the arches, adding a touch of ironic "Mao kitsch" to the place.
Later that year, Mr. Tabata Yukihito from Japan's Tokyo Gallery set up Beijing Tokyo Art Projects inside a 400-m division of Factory 798's main area; this was the first renovated space featuring the high arched ceilings that would become synonymous with the Art District. BTAP's 2002 opening exhibition "Beijing Afloat" (curator: Feng Boyi), drew a crowd of over 1,000 people and marked the beginning of the popular infatuation with the area.
In 2002, designer artist Huang Rui and hutong photographer Xu Yong set up the 798 Space gallery next to BTAP. With its cavernous 1200 floor and multiple-arched ceilings at the center of Factory 798, it was and still is the symbolic center of the whole district. (Huang and Xu since designed at least seven spaces in the area and became the prime movers and de facto spokespersons of the District.) A glass-fronted caf was set up in the former office section at the back of the 798 space, opening into a back alley now lined with studios and restaurants such as Huang's own At Caf, and Cang Xin's #6 Sichuan restaurant, the area's "canteen".
In 2003, Lu Jie set up the Long March Foundation, an ongoing project for artistic re-interpretation of the historical Long March, inside the 25,000 Li Cultural Transmission Center. Around that time, Singapore-owned China Art Seasons opened for display for pan-Asian art, and was one of several new galleries setting up at that time.
The 798 architectural plans were put in practice by the Germans, who chose a functional Bauhaus-influenced design over the more ornamental Soviet style, triggering the first of many disputes between the German and Russian consultants on the project. The plans, where form follows function, called for large indoor spaces designed to let the maximum amount of natural light into the workplace. Arch-supported sections of the ceiling would curve upwards then fall diagonally along the high slanted banks or windows; this pattern would be repeated several times in the larger rooms, giving the roof its characteristic sawtooth-like appearance. Despite Beijing's northern location, the windows were all to face north because the light from that direction would cast fewer shadows.
The chosen location was a 640,000 square metres area in Dashanzi, then a low-lying patch of farmland northeast of Beijing. The complex was to occupy 500,000 square metres, 370,000 of which were allocated to living quarters.
It was officially named Joint Factory 718, following the Chinese government's method of naming military factories starting with the number 7. Fully funded by the Chinese side, the initial budget was enormous for the times: 9 million rubles or approximately 140 million RMB (US$17 million) at today's rates; actual costs were 147 million RMB.
The Joint Factory produced a wide variety of military and civilian equipment. Civilian production included acoustic equipment for Beijing's Workers' Stadium and Great Hall of the People, as well as all the loudspeakers on Tiananmen Square and Chang'an Avenue. Military components were also exported to China's Communist allies, and helped establish North Korea's wireless electronics industry.
Several exhibitions of note took place in 2003. In March, Huang Rui and Shu Yang's "Transborder Language 2003" (curator: Li Xianting) combined poetry and performance art. "Blue Sky Exposure" was held outdoors in southern Beijing and then relocated to the Art District. On April 13, despite widespread fear of public gatherings during SARS, the exhibitions "Reconstruction 798" (798 space) and "Operation Ink Freedom" (25,000 Li Cultural Transmission Center) drew crowds of 5,000 and definitely confirmed the area's widespread appeal.
In July, with Beijing in full construction boom, Wang Wei's "Temporary Space" (curator: Philip Tinari) featured workers completely enclosing an area of the exhibition with a brick wall and then removing the bricks one by one. In September, "Left Hand - Right Hand" (curator: Feng Boyi) showcased Chinese and German sculptors at 798 Space and Daoyaolu Workshop A. Among the works was Sui Jianguo's enormous concrete sculpture "Mao's Right Hand", which is just what the name suggests, and an example of modern Chinese art's ironic reflections on history.
Artwork Beijing is a monthly gathering for the Beijing community to explore and engage in the city's vibrant contemporary art scene. The event is free and open to the public with specific aims to introduce Beijings art districts to a broader cross section of the local community and to provide a social platform on which to experience the explosion of creativity on display in these unique cultural venues.
Artwork Beijing is held in the 798 Dashanzi Art District and will provide special after hours access to selected galleries and art spaces along with a free reception with food, drink and live entertainment. Each artwork provides a map and descriptions of the selected art venues for each viewer to independently explore on their own. Selected galleries will be located near each other in the art district to allow viewers an opportunity to more intimately explore these spaces.
Hope to provide a neutral platform to contribute and participate in creative dialogues with all those involved in the arts industry, including artists, collectors, students, critics, and anyone interested in the art scene that is quickly gaining momentum both here and internationally. Artwork Beijing build a unique opportunity which make China's contemporary art scene and the 798 Art District more accessible to the Beijing community. No previous knowledge is necessary to appreciate art, just an open mind. Beijing is one of China's largest and most exciting art scenes.
Come find out what the hype is all about!
A glass-fronted cafe was set up in the former office section at the back of the 798 space, opening into a back alley now lined with studios and restaurants such as Huang's own At Cafe, and Cang Xin's #6 Sichuan restaurant, the area's "canteen".
10:00am-5:00pm
Tours last 3 hours and cover the main buildings of the original factory complex and important galleries.
Tours are available from 10:30a.m. - 6:30p.m.
Address : No. 4, Jiuxianqiao Road, Chaoyang District, Beijing
798 Art Zone is about a 20-minute drive from Beijing International Airport.
Bus No. 403, 418, 629, 688, 909 to Dashanzi Lukou Dong.
Transportation
Food
Shopping
Customs
Other HintsNo, The climate in Beijing is of the continental type, with cold and dry winters, due to the Siberian air massses that move southward across the Mongolian Plateau. The summers are hot owing to warm and humid monsoon winds from the southeast bringing Beijing most of its annual precipitation. January is the coldest month and July is the warmest. Winter usually begins towards the end of October. The summer months, June to August, are wet and hot with about 40% of the annual precipitation.
The autumn months between September and November have the best weather and fewer tourists. Summer (June to August) is considered peak season, when hotels typically raise their rates and the Great Wall nearly collapses under the weight of marching tourists. Spring is less pleasant not many tourists but lots of wind and dust. In winter, you'll have Beijing to yourself and many hotels offer substantial discounts, just remember it's an ice box outside. Everything is chock block during the Chinese New Year (usually in January or February).
No, the cost is not expensive, around 1.6 yuan per kilometer. During the olym pic games is held in 2008, some tax's drivers are interested in learning English. They are so kind and friend that some may chat to you in English.
Yes, the subway system in Beijing was rebuilt during 2008, until now it opened subway line 1, subway line 2, subway line 5, subway line 13, and line eight-passageway, covering the whole city and the airport. Morover, subway line 10 is plan to open during olym pic games period, which favor special for olym pic village. You may get to subway station easily in avenue. The subway is a great way to beat the growing Beijing traffic chaos.
Just like the capital's culture, Beijing cuisine has absorbed and been influenced by many of the flavours of China's regions. Chinese cuisine in general has the four distinct regional cooking styles of Sichuan (Chuan) to the West, Canton (Cantonese) to the South, Shangdong (Lu) to the East and Jiangsu (Huaiyang) to the North and the cuisine of Beijing brings together these contrasting styles. In Beijing you can find menus from around the world including Spanish, French and Italian restaurants that are well-established, and Japanese, Indian and Thai outlets, that are also very popular with local Beijingers.
You can have steamed bread with bean filling, flour pancakes cooked with egg, coriander, chilli, and black onion seeds, pancakes stuffed with pork, egg and vegetables. These gems are available from little glass cabinettes on the back of three-wheeled bicycles or from stands on street corners, hidden down leafy hutongs.
Peking Duck, a delicious, lightly-smoked, rich meal complimented by pancakes, dipping sauce, vegetable filling and irresistible slivers of juicy meat, fat and crispy skin. As the favourit food in local Beijing, Peking duck is world famous nowadays.
Peking duck has been prepared since the Yuan Dynasty, and is now considered one of China's national foods. Duck has been roasted in China since the Southern and Northern Dynasties. Peking Duck was first prepared for the Emperor of China in the Yuan Dynasty. The dish, originally named "Shaoyazi". In the Ming Dynasty, the Peking Duck was one of the main dishes on imperial court menus. By the Qianlong Period (1736-1796) of the Qing Dynasty, the popularity of the Peking Duck spread to the upper classes, inspiring poetry from poets and scholars who enjoyed the dish.
Today, the Peking Duck had become a national symbol of China, favoured by tourists and diplomats alike. For example, Henry Kissinger, the Secretary of State of the United States met Premier Zhou Enlai in the Great Hall of the People on July 10, during his first visit to China. After a round of inconclusive talks in the morning, the delegation was served Peking Duck for lunch, which became Kissinger's favourite. The Americans and Chinese issued a joint statement the following day, inviting President Richard Nixon to visit China in 1972. The Peking Duck was hence considered one of the factors behind the rapproachement of the United States to China in the 1970's. Following Zhou's death in 1976, Kissinger paid another visit to Beijing to savour Peking Duck.
Yes, paying credit card is available in most shopping centre, Beijing. Just like Wangfujing walking street. however, It is easy to find the ATM bank in some downtown districts, and it will not be a problem if you want working staff help you handle routine banking bussiness. The money used in Beijing is the Chinese RenMinBi, or RMB for short. The Chinese call it Yuan or Kuai in Beijing. There are approximately 8 RMB to the US dollar. Most star hotels offer a good service for exchanging your cash into RMB. Anyway, you may not worry about it.
Fancywork, mintmark, fogle, tablecloth designed in dragon and phenix, herbal medicine, etc.
Most toliets are repaired two years ago. Most are some squat toilets to Western ones, as your body won't have to come into contact with anything in there that might be dirty. No need to sit on dirty toilet seats.
Yuandadu Street is developed on Yuandadu Relics and also belongs to an up-and-coming youngster. Distinctive feature theme is its enchantment. Madami Mosuo flavor bar, gliding umbrella theme bar, Tibet breeding dog bar. There are more than 20 bars here. It is relatively quiet because of lower recognition.
Hou hai bar area (lotus lane) seems to be taking over from Sanlitun as the major bar area of Beijing. It is situated around a man-made lake at the north of Beihai Park. Boating is available on the lake till 11pm or 12am (in the summer of course). Very pretty area.
Tai Chi quan(shadow boxing) is a famous Chinese Kung Fu. All the Chinese Kung Fu can be divided into two kinds, the "In - style" and the "Out - style". Tai Chi is the representative kind of the "In-style". This kind of Kung Fu emphasizes on the stuffs inside the fighter's body, which include the calmness of the spirit, the sensitivity of the sense and the speed of the reaction. In contrast, the out - style Kung Fu is to fight before your opponent's move or try to destroy your opponent's attack.
We will arrange you a nice Tai Chi lesson and Kung Fu performance if you like.
The Chinese Facial Makeup art was developed from the mask painting art which was initiated by Lang-Ling Hwang in the Pei-Gee dynasty and by Wu-Hsiang Dee in the Song dynasty. The painted masks were originally used in the fields of battle to make dreadful figures to frighten the enemy. Later on the masks were employed in the stage to show.
Social standing and disposition of characters. Owing to difficulty and inconvenience of manufacturing and wearing masks, the colors were directly painted on the faces, afterwards. Generally speaking, the face without painting represents faithful and nice fellows, the multi-colored face represents wicked people, the red face represents loyal and straight characters, the black face represent bravery and preseverance. The buffoons are painted with coloured spots. Up to now, there are many types of face-painting.
Chinese tea culture refers to the methods of preparation of tea, the equipment used to make tea and the occasions in which tea is consumed in China. Tea culture in China differs from that of Europe, Britain or Japan in such things as preparation methods, tasting methods and the occasions for which it is consumed. Even now, in both casual and formal Chinese occasions, tea is consumed regularly. In addition to being a drink, Chinese tea is used in traditional Chinese medicine and in Chinese cuisine.
There are several special circumstances in which tea is prepared and consumed:
As a sign of respect
For a family gathering
To apologize
To express thanks to your elders on one's wedding day
To connect large families on wedding days
To pass on the tradition
Hutong is a typical lane or small street in Beijing that originated during the Yuan Dynasty (1271-1368). "Hutong" is a Mongolian word, meaning "water well". During that time, water well is the settlement around which people lived. There are tens of thousands of hutongs surrounding the Forbidden City. In the past, Beijing was composed of countless courtyards. Hutongs were formed when people left a passageway between two courtyards to make entering them more convenient.
As the symbol of Beijing City, a hutong has its own layout and structure, which makes it a wonder in the world. When taking a bird's eye view of Beijing, you will find the combination of hutongs and courtyards just like an orderly chessboard with delicate gardens, fine rockeries, and ancient ruins. Hutongs have witnessed the development of Beijing. Where there is a hutong, there is a story.
Traditionally most urban Chinese used to live in quadrangles called siheyuan or "four-side enclosed courtyards." These courts, as the name implies, are formed by inward-facing houses on four sides, closed in by enclosure walls. Such a residence offers space, comfort and quiet privacy. It is also good for security as well as protection against dust and storms. Grown with plants and flowers, the court is also a sort of garden.
In feudal times, the courtyard dwellings were built according to the traditional concepts of the five elements that were believed to compose the universe, and the eight diagrams of divination. The gate was made at the southeast corner which was the "wind" corner, and house was made to face the south with the main building on the north side which was believed to belong to "water" - an element to prevent fire.
Today, Beijing still has about 400,000 residential quadrangles, mainly distributed over the East, West, Xuanwu and Chongwen districts of the city. Those in the East and West districts are in the best shape.
Spring festival, Lantern festival, Qingming festival, Dragon boat festival, Double seven festival, Mid-autum festival, Double ninth festival, Winter solstice festival. These festivals are celebrated by Peking friends.
The Spring Festival, which falls on the 1st day of the 1st lunar month, often one month later than the Gregorian calendar. It originated in the Shang Dynasty (1600 B.C. - 1100 B.C.) from the people's sacrifice to gods and ancestors at the end of an old year and the beginning of a new one. It is the most important festival for the Chinese people and is when all family members get together, just like Christmas in the West. All people living away from home go back, becoming the busiest time for transportation systems of about half a month from the Spring Festival.
On spring festival, people decorate their clean rooms featuring an atmosphere of rejoicing and festivity. All the door panels will be pasted with Spring Festival couplets, highlighting Chinese calligraphy with black characters on red paper. The content varies from house owners' wishes for a bright future to good luck for the New Year. Also, pictures of the god of doors and wealth will be posted on front doors to ward off evil spirits and welcome peace and abundance.
Beijing opera is deemed the national opera of China. The accompanying music, singing and costumes are all fascinating and artistic. Full of Chinese cultural facts, the opera presents to the audience an encyclopedia of Chinese culture as well as unfolding stories, beautiful paintings, exquisite costumes, graceful gestures and acrobatic fighting. It is generally accepted that Beijing opera gradually came into being after 1790 when the famous four Anhui opera troupes came to Beijing. Beijing opera underwent fast development during the reign of Emperor Qianlong and the notorious Empress Dowager Cixi under the imperial patron, and eventually became more accessible to the people.
Besides the medicines you usually take at home, you need to bring pain killers, anti-
inflammatory prescriptions and medicines for colds, fever and diarrhea. These medicines are
especially helpful if you are going to visit Beijing.
You' better take apropriate cloth in season. In autumn, jeans and a sweater are usually enough. In the warmer months, T-shirts and light pants or shorts are the best bet. In the colder months, it is wise to dress in layers: long underwear and jeans, shirt, sweater and down jacket. If you want to go local, you can buy a thick cotton army coat (jun da yi) for less than 100 yuan (12 bucks). Rain gear is necessary, especially during the summer months.
Fire: 119
Traffic: 122
Ambulance: 120
Police: 110
Beijing is eight hours ahead of Greenwich Mean Time (London) and 13 hours ahead of Eastern Standard Time (New York), is the standard time used in China.
Some attractions need to pay cash, like Tian'an men square, summer palace, and other activities in hutongs. so it is much adivsible to take enough RMB when tour in local residents. A handerchief should be prepared for your Great wall explor. In addition, you'd better take storage battery with camera, because it costs expensive in some senenic spots.
Many people go to Beijing to see ancient classics. They visited all the historical places and thought theyve seen it all. Sooooo wrong! Dont leave without dropping by to one of the most impressive and trendy artist communities in the world, "798 Art Zone".
»»For exploration of 798 Art Zone, check out 2 tours ...
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